It’s pretty easy to predict the fate of multiple main characters, though it’s likely that you won’t care much either way. These are all collected into various story threads that you’ll explore throughout the game, but the problem is that few are actually very interesting or original.
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Once you dig in a bit, there’s actually a lot going on in Days Gone’s story: Deacon’s quest to find out what really happened to his girlfriend, a government conspiracy concerning the zombies, and the various surviving human factions figuring out how to coexist, and largely failing.
There’s actually a lot going on in the story of ‘Days Gone’ John, or Deek for short, who was forced to separate from his girlfriend, Sarah, the day things went to hell, and he has spent the 700-or-so days since simply surviving with his best friend and fellow biker, Boozer. (In a nice touch, whenever you pause the game, you’re shown the number of days that have passed since the outbreak.) You play as a biker named Deacon St. It’s set a few years after a mysterious outbreak that has turned most humans into zombies freakers, which are essentially feral animals that just want to kill everything. Meanwhile, in Days Gone, the end of the world is somehow incredibly bland.ĭays Gone takes place in Oregon, though, aside from the constant rain, it could really be any zombie-infested place. All of that effort feels wasted, especially in a world where Sony also publishes the brilliant The Last of Us, which took a seemingly straightforward post-apocalyptic zombie narrative in interesting new directions. The problem is that it’s all wrapped around a painfully generic zombie story, one that ultimately plays out like a dozen games you’ve experienced before. It’s a world that looks real, with a layer of history and thought behind it, and the game itself is a largely competent, well-crafted experience. It’s huge and beautiful, with an impeccable attention to visual detail everything from falling snowflakes to blood-spattered spiked bats to the actual human characters has just the right weight and sheen to it.
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While many publishers have primarily shifted to the more lucrative space of live-service games, Sony has become one of the last bastions of support for lavishly produced story-driven titles - which is what makes Days Gone so disappointing.Ĭoming out of Sony’s Bend Studio, the team behind the early PlayStation action series Syphon Filter, Days Gone has a lot in common with the aforementioned blockbuster games. The company has published some of the most acclaimed single-player blockbuster video games of the last few years, ranging from the superhero adventure Spider-Man to the surprisingly emotional reboot of God of War to the vast, intricate open-world of Horizon Zero Dawn.
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